Monday, January 28, 2008

veiled shapes



a morning, veiled in haze, in scattered thoughts. later, during a routine visit to the doc, to get a prescription for allergy tablets, and some lotion to put on irritated skin spots, a line that put life and those littel red spots in an unintended perspective. and told about a patient who probably had been there before me this day.
"with this lotion, the cancer should be gone in 3 to 4 days," the doc said, then gasped. "spots, i meant. the spots. not cancer."

it gave me a feeling of thankfulness for my allergy. which is predictible. and yes, returning, every year, when the hazelnut trees start to flower in their strange, ribbly way. but after they are done, and the birches, too, the allergy leaves again, like a migrating bird that moves on to another place, to return the following year.

maybe now, after this line, it will be easier to befriend it when it returns, when it leaves its temporary marks on my skin.

life. and all its facets. and good that the sun broke through this afternoon, and i could be out there, plugging weeds, getting my hands dirty. the spring flowers are growing already, they are hovering just a bit underneath the surface now. almost like the new issue of BluePrintReview. which is growing now, developing more and more of the quality that will be the title of this issue: "Shape".

in an intermix of themes, i received some lines last week, in reply to the Doris Lessing quote, and maybe also to the idea of shapes - a passage from Lessing's nobel price lecture:

Writers are often asked, How do you write? With a processor? an electric typewriter? a quill? longhand? But the essential question is Have you found a space, that empty space, which should surround you when you write? Into that space, which is like a form of listening, of attention, will come the words, the words your characters will speak, ideas-inspiration.

If this writer cannot find this space, then poems and stories may be stillborn.

When writers talk to each other, what they ask each other is always to do with this space, this other time. Have you found it? Are you holding it fast?


i just looked for the whole lecture, it's online here:
On not winning the Nobel Price

smile. back to the shapes now.

~

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